Step 1 in slow photography is spending a long time studying the subject. As one guide enjoins, “pay more attention to your subject than to your camera.” That’s an order to actually use your eyes. It calls for consideration not just of what you think you see (a tree or a dog) but of the colors and shapes that present themselves. Thinking dog or tree can blind you to what you are really seeing—which is, in the end, a series of photons arranged in a way that for convenience you call dog. It may sound like semantics, but it makes all the difference. When you look carefully and avoid trying to label what you see, you inevitably start to notice things that you mightn’t have otherwise.